Features / Illustration

Nigerian artist Dennis Osadebe on isolation, the future and African art

Dennis Osadebe questions what it means to be an African artist in his debut exhibition Remember the Future that uses mixed media to bridge the gap between the past and the future.

By Lindsay Samson on 16 August

  • Bargain

From Remember the Future

Nigerian mixed-media artist Dennis Osadebe recently staged his first solo exhibition titled Remember the Future. It explored the idea of mixing traditional Nigerian materials and crafts with technology and new media. Employing bold colours and playful silhouettes, Dennis' bright, expressive and distinct pop art style challenges the traditional notions of contemporary African art and poses an interesting question: what does ‘African art’ even mean?

If one were to type ‘African art’ in your browser and hit Search, you’d be instantly inundated by hundreds of scholarly articles from Western institutions claiming to be able to define the term. There’d be thousands of images featuring non-distinct tribespeople, wild animals and ‘African inspired’ patterns. In reality, these works do little to solidify a stereotype and barely begin to explore the vast artistic spirit emanating from the continent.

“Who exactly is an African Artist? Could it not be someone who grew up in Lagos with Nigerian parents, studied in Paris and is now practising in Canada?” questions Dennis. “For art in a whole continent to be limited to just one label – 'African Art' – is a problem. It is not doing justice to the different experiences of a diverse range of artists coming out of here. It is also bad for the stakeholders in the industry, especially with the recognition that art is getting from the continent now. There is no African Art,” he states.

  • Dennis Osadebe1

Dennis' distinct pop art style challenges the traditional notions of contemporary African art

Self-taught and working professionally since 2013, Dennis has long been frustrated by this limiting label that gets slapped on the work of artists with connections to the continent. It’s a lazy and tired categorisation, one that places unreasonable expectations upon African artists. In response to this, he’s begun to push for the adoption of the term ‘Neo African’.

For Dennis, this term embraces the idea of deconstructing the notion of contemporary African art while simultaneously questioning what it exactly means. Aware of the types of presumptions that the overused term often places upon artists and consumers, ‘Neo African offers a way to break out of that box and out of the expectations projected onto creators as artists from Africa’, as he puts it.

Hugely influenced by the philosophy of modern art – particularly the idea of putting aside traditions of the past in a spirit of experimentation and discovery – as well as the raw energy and non-stop drive of the city of Lagos, his work and artistic style draws upon elements of pop art and graffiti culture. Interestingly, his subject matter communicates the reality of today’s world and ranges from a dialogue about technology to politics and religion.

  • Dennis Osadebe7

A recurring depiction in the series is the helmet, something Dennis sees as a symbol of protection, technology and spirituality.

The artworks shown at his Remember the Future exhibition tried to question the realities of Nigeria’s contemporary society, including those of power, class, and gender whilst suggesting possibilities for the future. A recurring depiction seen in this body of work is the helmet, something Dennis sees as a symbol of protection, technology and spirituality. In his artwork, he’s placed them atop the heads of ordinary Nigerians as a way of illustrating just how pervasive the impact of technology is in our everyday lives.

“There is also an inherent sense of isolation associated with the helmet,” Dennis explains, “which parallels the isolation created by the technologies that we consume. As the technologies of our world advance and offer a new level of global connectivity, they also transform our experience and the way we interact with others. We become detached and enter a virtual environment, blocking many of our basic senses.”

Osadebe’s artistic senses, however, are sharp and he continues to experiment with his style while producing new work. “People often think that the studio is a factory where you manufacture pieces and boom! - present an art exhibition. For me, the studio is like a laboratory where you experiment and an exhibition is a result of several successful experiments.” Osadebe is currently in the testing phase of a new artistic experiment, and is loving the results.

Follow Osadebe on Instagram or you can visit his website dennisosadebe.com.

The article was first published on Design Indaba. This is part of an exchange programme between Design Indaba and Design Fabric to introduce the rich works coming out of Africa's art and design scene to South Asia, and interlink one culture to another.

    Most Recent Features

    More Stories on Illustration